During the last couple of weeks, the shops have filled with light garments and accessories in the colours of bright skies, blue-tinged grass and lemon mousse. In every palette is a reminder that Easter is on the way.
And here’s me sewing my woolly winter coat. Oh well, it’ll be finished by next winter
This is half of the sewing finished and most of the hard thinking over. I wanted to show you pictures of the half-decent job I’ve done, in case it’s all doom and gloom later.
The bodice is interfaced throughout even though the instructions didn’t ask for it: very light fusible interfacing on the side bodice front and light calico at the back. There’s a risk that this might make the finished garment a bit formal and stiff-looking.
Another deviation from the instructions: I cut away the interfacing or calico from the seam allowances to reduce bulk then pressed the waist seam open (rather than up, as told) with a herringbone stitch locking the seams back. So far all the seams have been finished like this using a grey silk thread which was a joy to discover – so light and never visible on right side of garment. And I’ve developed a fetish for the herringbone, in fact: it’s rather good-looking for a hand stitch and I like going left to right for a change.
I suspect it isn’t doing anything functional but it sounds good.
Remember how when I introduced you to this fabric and pattern (in Shrek), some of you wisely warned that I was heading for pattern-matching hell if I chose to go ahead with a check. It did take a long time to decide, before cutting, where to position the squares and the lines in relation to the garment edges and stitching lines but to tell the truth, I enjoyed it in – much the same way I loved this 1000-piece jigsaw puzzle my kids got last Christmas
The hardest decision was where to place pattern piece 1: the front bodice (with the lovely lapel) which was the first cut. Horizontally there were options but the vertical placement was harder so while shopping, I looked at RTW coats and those worn in the street to see if there’s a convention as to where to place the vertical edges (typically button closure fastening or zip). If you look at the coats above, this line never seems to be on a box edge, but somewhere in the middle. Only when I’m finished will I know if I did ok.
I’ve had to compromise in matching the pleats to the check design. I could make a match by folding in slightly more fabric on the front but doing this to the back just never added up (you did warm…) so I had to drop a pleat with now just two at the back instead of four (see techie drawing). Let’s hope none one notices.
A tailor once told me that with wool being so expensive, if ever a cutting apprentice made a mistake and wasted any, he or she would be shamed and the cost would be deducted from the wages (is it any wonder they all want to work in graphic design and IT now!?). Through a lack of concentration I did waste a couple of smaller bodice pieces which at £12 a meter I could laugh off but this better not happen when I come to cut the sleeves as the man from Bromley market has reached the end of his last bolt! There’s plenty left of his other wools which are interesting but the colours are duller and more wintery, whereas mine looks like it loves the early spring sun.
I might need a blouse in ‘daffodil’ next!